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Price range: Rs. 999.00 through Rs. 1,899.00
100% cotton 300gsm rough texture watercolor paper. Professional archival quality, acid-free loose sheets by Potentate. Ideal for expressive painting and exhibition work.
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POTENTATE 300gsm Cotton Watercolor Paper (Rough Texture) is professional-grade, 100% cotton, acid-free loose sheet paper for serious watercolorists. The rough texture offers the most expressive surface in the Potentate range – perfect for landscapes, seascapes, abstract work, and techniques that benefit from visible paper grain.
The rough press texture creates natural soft edges as paint settles into the tooth, adds dimension to granulating pigments, and gives a distinctly painterly quality that smooth and cold press surfaces cannot replicate. Many professional watercolorists prefer rough paper for outdoor and large-scale work where expressive texture enhances the subject.
At 300gsm, the paper handles large quantities of water without warping or cockling when properly stretched or taped. The cotton content ensures archival stability, meaning your work will retain its quality for decades. Available in multiple sizes – ideal for studio painting, workshop demonstrations, and exhibition-quality pieces.
| Weight | N/A |
|---|---|
| Size | 190 x 260mm (Closer to A4), 260 x 380 mm (Closer to A3) |
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Dilshan Kumara –
This rough texture paper is fantastic for landscapes. The granulation effects you can get on this are amazing. And it comes in a zip lock bag which keeps the spare sheets clean and dry. Really thoughtful packaging.
Dulani Jayasuriya –
The zip lock bag is such a smart touch! Keeps the unused sheets protected from humidity — which is a real problem here in Sri Lanka. Paper quality itself is excellent. 100% cotton at this price is incredible. Granulation effects on the rough surface are beautiful.
Kasun Perera –
This paper changed my painting. The rough texture creates amazing effects you just can’t get on smooth paper. And the zip lock bag means my unused sheets stay fresh. At this price for 100% cotton, it’s a no-brainer. I even store my finished paintings back in the bag to keep them safe.
Sanduni Rajapaksa –
Good paper. Rough texture took some getting used to but now I really like it for expressive work.
Harsha De Silva –
Tried lifting technique on this and it works beautifully. Cotton paper makes all the difference for advanced techniques. The zip lock bag is genius — protects from dust and moisture. No more wasted paper from humidity damage.
Mahesh Bandara –
Excellent value for 100% cotton. Zip lock bag is a nice touch.