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Essential Watercolor Accessories Every Artist Needs

Essential Watercolor Accessories Every Artist Needs

WatercolorLK Academy Staff
Our staff writers include a combination of local and international artists, academics, and material researchers, all dedicated to providing our community with accurate and trustworthy knowledge for their artistic journey.

Table of Contents

Paint, paper, and brushes get all the attention, but accessories are what make your painting sessions smooth, efficient, and frustration-free. The right accessories solve problems you did not know you had – from keeping your paper flat to preserving white areas to maintaining the perfect moisture level.

This guide covers every watercolor accessory that matters, explains what each does, and tells you which are essential versus optional. If you are just starting out, check our complete starter kit guide for the minimum essentials.

Water Containers

Why It Matters

Water is the medium in watercolor painting. You need clean water for diluting paint, dirty water for rinsing brushes, and sometimes a third container for specific mixing tasks. The container itself affects your workflow more than you might expect.

What to Look For

A good water container should be stable (resistant to tipping), large enough to hold sufficient water for a full painting session, and easy to see into so you can judge water clarity. The Sketcher’s water cup is designed specifically for artists – typically with a wide base for stability and compartments for clean and dirty water.

Many experienced watercolorists use two separate jars: one for rinsing (which gets dirty) and one for clean water (for diluting and mixing fresh colours). This prevents muddy colours from contaminated rinse water being introduced into your mixes.

Practical Tips

  • Change your water more often than you think necessary – even slightly cloudy water adds a grey cast to colours
  • A jar with a ribbed bottom helps brush cleaning by providing texture to stroke bristles against
  • For outdoor painting, water brush pens eliminate the need for water cups entirely

Spray Bottles

Why It Matters

A refillable mist spray bottle is one of the most useful accessories you can own. It serves multiple purposes throughout the painting process: keeping your palette moist between sessions, re-wetting dried pan paints before use, creating atmospheric wet-in-wet effects, and misting your paper to extend working time.

How to Use It

  • Re-activate pan paints: A few sprays onto your pan palette before painting softens the dried pigment, making it easier to pick up with your brush
  • Pre-wet paper: Mist your paper before starting a wet-in-wet passage for even dampness without flooding
  • Extend working time: A light mist over a drying wash gives you extra minutes to blend
  • Create texture: Spraying into a wet wash creates spatter effects and random blooms
  • Keep palette fresh: Spray mixed colours on your palette to prevent them from drying out during long sessions

Mixing Palettes

Why It Matters

A palette provides wells and mixing areas for combining colours. A good palette lets you mix enough colour for a full wash without running out mid-stroke and keeps mixed colours separated and identifiable.

Types of Palettes

  • Ceramic palettes: The best mixing surface. Paint beads on ceramic rather than absorbing, giving you true colour representation. Heavy and non-portable
  • Plastic palettes: Lightweight and affordable. Works well for beginners. White plastic shows colours accurately. Some stain over time
  • Metal palettes: Travel-friendly, often built into pan paint box lids. Durable and lightweight
  • Foldout palettes: Multiple wells that fold closed for travel. Good for plein air painting

How Many Wells Do You Need?

Most watercolorists need 6-12 colour wells for their primary palette plus 3-4 larger mixing areas for creating wash volumes. When learning colour mixing, generous mixing areas are more important than many colour wells.

Masking Fluid and Masking Tape

Masking Fluid

Masking fluid is a liquid latex that you paint onto areas of your paper that you want to keep white or preserve at a specific colour stage. Once dry, it forms a rubber-like film that repels water and paint. After painting over it, you peel or rub off the dried masking fluid to reveal the protected area underneath.

Masking fluid is essential for subjects with fine white details against coloured backgrounds: boat rigging against a sky, white flowers in a garden, rain against dark clouds, or tree branches catching light. Without masking fluid, preserving these areas requires extremely careful painting around them – difficult and stressful.

Tips for use:

  • Apply with an old brush or a silicone tool – masking fluid can ruin good brushes
  • Let it dry completely (5-10 minutes) before painting over it
  • Remove within 24 hours before it bonds permanently to the paper
  • Works best on cotton paper – cellulose paper may tear when removing dried masking fluid

Masking Tape

Artist-grade masking tape or painter’s tape serves two purposes. First, it creates clean, sharp edges on straight boundaries – horizons, building edges, or the border of your painting area. Second, it holds your paper flat on a board, preventing buckling during wet techniques.

Always use low-tack tape designed for delicate surfaces. Standard household masking tape can tear paper when removed, especially lighter weight papers.

Boards and Easels

Painting Boards

A flat, rigid board provides a stable surface for taping down paper and tilting your work. Gatorboard, MDF, or plywood panels work well. The board should be slightly larger than your paper to allow tape overlap on all four edges.

Tilting your board at 15-20 degrees while painting allows gravity to pull your wash beads downward, helping you achieve smooth, even flat washes and gradients. Many painters prop one end of their board on a book or small stand.

Tabletop Easels

A small adjustable easel holds your board at whatever angle you prefer, freeing both hands for painting. Table easels are useful but not essential – many professional watercolorists simply prop their board on books or use a folded towel as a wedge.

Drawing and Transfer Tools

  • Pencils (HB or 2B): Light pencil sketches under watercolor guide your composition without showing through transparent washes. Use light pressure – heavy graphite lines are visible under watercolor
  • Kneaded eraser: Lifts pencil marks without damaging paper surface. Press and lift rather than rubbing
  • White gel pen: Adds white highlights and details over dried watercolor – stars, light reflections, whiskers, and other fine white accents

Towels and Tissues

Keep a clean cotton rag or paper towel beside your palette at all times. Uses include:

  • Blotting excess water from your brush before loading colour
  • Lifting wet paint from your painting to create highlights or correct mistakes
  • Testing colour strength before committing a stroke to your painting
  • Controlling brush moisture level – dab the brush on the towel to remove excess water

A damp natural sponge serves similar purposes and is also useful for applying textured effects directly to wet paint.

Essential vs Optional: Priority Guide

Accessory Priority When to Get It
Water container (2) Essential Day 1 – you cannot paint without water
Mixing palette Essential Day 1 – needed for mixing colours
Pencil + eraser Essential Day 1 – for sketching compositions
Paper towel / rag Essential Day 1 – for moisture control
Masking tape High First week – keeps paper flat
Painting board High First week – stable painting surface
Spray bottle High First month – transforms your workflow
Masking fluid Medium When you need to preserve white areas
White gel pen Medium When you want highlight accents
Natural sponge Optional For textural effects and wetting paper
Tabletop easel Optional When you want adjustable angles

Setting Up Your Workspace

Arrange your accessories for efficient workflow. Right-handed painters typically place water and palette to the right, paper towel close to the palette, and reference images to the left. The key principle is minimising unnecessary movement – everything you reach for frequently should be within arm’s length.

Good lighting is the most overlooked aspect of any painting setup. Natural north-facing light is ideal. If using artificial light, choose daylight-balanced bulbs (5000-6500K) to see colours accurately.

For a complete guide to setting up your first painting area, including material recommendations at every price point, see our complete starter kit guide.

Frequently Asked Questions

Do I need to buy everything at once?

No. Start with the essentials (water containers, palette, pencil, towel) and add accessories as you discover specific needs. The spray bottle is the first upgrade most painters appreciate.

Can I use household items as watercolor accessories?

Absolutely. Glass jars make excellent water containers. A white dinner plate works as a mixing palette. Old T-shirt fabric is a perfect paint rag. Artist-specific products offer some advantages (ribbed water cups, non-staining palette surfaces) but household items work fine, especially when starting out.

What accessories should I carry for outdoor painting?

A compact pan set, water brush pens, a small watercolor sketchbook, a pencil, and a small spray bottle. This kit fits in a modest bag and lets you paint anywhere.

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